39. The Amazons: Stoner Horse Girl Warriors of Antiquity

In this episode, we introduced everyone to all the details we could fit about the badass warrior women of antiquity, the Amazons! In this first part of a two-part episode examining warrior women throughout history, we dove full-tilt into the myths, legends, and misconceptions about the all-female militant society that struck fear into the hearts of ancient Greek men – powerful women, GASP! Where did these stories come from? How queer were they? And were they real, or just figments of mythology? Listen to the episode for those answers, and come back here for more bonus material!


But first, let me introduce to your fantabulous guest hosts for this episode, Lucier&Rose!

 

S.C. Lucier

S.C. “Luci” Lucier is an SDC director, writer and librettist. A former member of SCDF Observership Class emerging directors, Lucier is a graduate of Marymount Manhattan College’s Theatre Directing program and recently completed a master’s in Theatre/Museology History at The Graduate Center (NYC). Director: HELD: A Musical Fantasy (Fringe 2016, NYMF 2018). Associate Director: Kerrigan-Lowdermilk’s The Bad Years, the new immersive house party musical. Director: multiple Shakespeare at Hip to Hip Theatre Company, Midsummer 2019. Regular collaborator at Jennifer Jancuska’s (Hamilton) The Bringabout, designed at Joyce Theater for Richard Move’s The Show (Achilles Heels) in which Debbie Harry performed, designed at Lincoln Center’s Clark Studio Theatre, toured on the production team of Martha Graham Dance Company, stage-managed Cape Dance Festival (MA), performed at Baryshnikov Arts Center on roller skates, among others. Lucier captains the championship Gotham Roller Derby team, archives Sally Silver’s choreographic work for NYPL, and is the first staff member of American LGBTQ+ Museum (NYC).

Meghan Rose

Meghan Rose is a composer and musician. She is classically trained in piano, taught herself guitar at 16, joined a ska band in college at University of Wisconsin-Madison and has hopped from band to band and genre to genre ever since. Currently she plays bass in NYC bands Monte and LoveHoney, and in various shows around the city, sometimes even impersonating Courtney Love, Janis Joplin, and Lindsey Buckingham. She has acted as a vocal instructor, bass teacher, and band coach for both the Madison and NYC chapters of Girls Rock Camp. Rose was a music director for the Bartell Theater (Madison) for 6 years, and won awards for best music direction for Xanadu and Bare: A Pop Opera. Written scores include Z-Town: The Zombie Musical (Fringe 2012), an original rock musical called Alice based on Alice in Wonderland (Bartell), Held: A Musical Fantasy (Fringe 2016, NYMF 2018).

You can learn more about S.C. Lucier, Meghan Rose, and Xena: Warrior Musical - The Lost Scroll:

You can purchase and download the entire concept album for Xena: Warrior Musical on Bandcamp!

A Closer Look at Amazons in ancient Greek art, literature, and myth!

Stories of Amazons show up in multiple places in Greek literature, including the histories of Herodotus, Homer’s The Iliad, and myths around Heracles, the founding of Athens, and more. Check out some excerpts below.

Herodotus, Book IV: Chapter 100:

The history of the Sauromatae is as I will now show. When the Greeks warred with the Amazons (whom the Scythians call Oiorpata, a name signifying in our tongue killers of men, for in Scythian a man is oior, and to kill is pata) after their victory on the Thermodon they sailed away carrying in three ships as many Amazons as they had been able to take alive; and out at sea the Amazons set upon the crews and threw them overboard. But they knew nothing of ships, nor how to use rudder or sail or oar; and the men being thrown overboard they were borne at the mercy of waves and winds, till they came to the Cliffs by the Maeetian lake; this place is in the country of the free Scythians. There the Amazons landed, and set forth on their journey to the inhabited country. But at the beginning of their journey they found a place where horses were reared; and carrying these horses away they raided the Scythian lands on horseback.

Chapter 114:

Now the men could not learn the women's language, but the women mastered the speech of the men;​ and when they understood each other, the men said to the Amazons, "We have parents and possessions; now therefore let us no longer live as we do, but return to the multitude of our people and consort with them; and we will still have you, and no others, for our wives." To this the women replied, "Nay, we could not dwell with your women; for we and they have not the same customs. We shoot with the bow and throw the javelin and ride, but the crafts of women we have never learned; and your women do none of the things whereof we speak, but abide in their waggons working at women's crafts, and never go abroad a‑hunting or for aught else. We and they therefore could never agree. Nay, if you desire to keep us for wives and to have the name of just men, go to your parents and let them give you the allotted share of their possessions, and after that let us go and dwell by ourselves. The young men agreed and did this.

From Homer’s The Iliad:

In ancient time, when Otreus fill'd the throne,
When godlike Mygdon led their troops of horse,
And I, to join them, raised the Trojan force:
Against the manlike Amazons we stood,
And Sangar's stream ran purple with their blood.
But far inferior those, in martial grace,
And strength of numbers, to this Grecian race.

From the Pseudo-Apollodorus Library of Greek Mythology, describing the ninth labor of Heracles and Hippolyte:

[2.5.9] The ninth labour he enjoined on Hercules was to bring the belt of Hippolyte. She was queen of the Amazons, who dwelt about the river Thermodon, a people great in war; for they cultivated the manly virtues, and if ever they gave birth to children through intercourse with the other sex, they reared the females; and they pinched off the right breasts that they might not be trammelled by them in throwing the javelin, but they kept the left breasts, that they might suckle. Now Hippolyte had the belt of Ares in token of her superiority to all the rest…Having put in at the harbor of Themiscyra, he received a visit from Hippolyte, who inquired why he was come, and promised to give him the belt. But Hera in the likeness of an Amazon went up and down the multitude saying that the strangers who had arrived were carrying off the queen. So the Amazons in arms charged on horseback down on the ship. But when Hercules saw them in arms, he suspected treachery, and killing Hippolyte stripped her of her belt. And after fighting the rest he sailed away and touched at Troy.

And here, mentioning Penthesilea:

[E.5.1] Penthesilia, daughter of Otrere and Ares, accidentally killed Hippolyte and was purified by Priam. In battle she slew many, and amongst them Machaon, and was afterwards herself killed by Achilles, who fell in love with the Amazon after her death and slew Thersites for jeering at him.

[E.5.2] Hippolyte was the mother of Hippolytus; she also goes by the names of Glauce and Melanippe. For when the marriage of Phaedra was being celebrated, Hippolyte appeared in arms with her Amazons, and said that she would slay the guests of Theseus. So a battle took place, and she was killed, whether involuntarily by her ally Penthesilia, or by Theseus, or because his men, seeing the threatening attitude of the Amazons, hastily closed the doors and so intercepted and slew her.

And Antiope:

[E.1.16] Theseus joined Hercules in his expedition against the Amazons and carried off Antiope, or, as some say, Melanippe; but Simonides calls her Hippolyte. Wherefore the Amazons marched against Athens, and having taken up a position about the Areopagus19 they were vanquished by the Athenians under Theseus. And though he had a son Hippolytus by the Amazon,

[E.1.17] Theseus afterwards received from Deucalion in marriage Phaedra, daughter of Minos; and when her marriage was being celebrated, the Amazon that had before been married to him appeared in arms with her Amazons, and threatened to kill the assembled guests. But they hastily closed the doors and killed her. However, some say that she was slain in battle by Theseus.


And lastly, the tale of Atalanta in the Apollodorus:

[3.9.2] And Iasus had a daughter Atalanta by Clymene, daughter of Minyas. This Atalanta was exposed by her father, because he desired male children; and a she bear came often and gave her suck, till hunters found her and brought her up among themselves. Grown to womanhood, Atalanta kept herself a virgin, and hunting in the wilderness she remained always under arms. The centaurs Rhoecus and Hylaeus tried to force her, but were shot down and killed by her. She went moreover with the chiefs to hunt the Calydonian boar, and at the games held in honor of Pelias she wrestled with Peleus and won. Afterwards she discovered her parents, but when her father would have persuaded her to wed, she went away to a place that might serve as a racecourse, and, having planted a stake three cubits high in the middle of it, she caused her wooers to race before her from there, and ran herself in arms; and if the wooer was caught up, his due was death on the spot, and if he was not caught up, his due was marriage. When many had already perished, Melanion came to run for love of her, bringing golden apples from Aphrodite, and being pursued he threw them down, and she, picking up the dropped fruit, was beaten in the race. So Melanion married her. And once on a time it is said that out hunting they entered into the precinct of Zeus, and there taking their fill of love were changed into lions. But Hesiod and some others have said that Atalanta was not a daughter of Iasus, but of Schoeneus; and Euripides says that she was a daughter of Maenalus, and that her husband was not Melanion but Hippomenes And by Melanion, or Ares, Atalanta had a son Parthenopaeus, who went to the war against Thebes.

Check out some of the depictions of mythical Amazons we have on ancient Greek vases:

An ancient Greek Attic white-ground alabastron, depicting an Amazon wearing pants, wielding a bow. Image credit: British Museum

Atalanta wrestling Peleus. Chalcidian black-figure hydria, ca 6th century BCE. Staatliche Antikensammlung collection, Berlin, Germany.

Check out the geometric patterns and hat on the figure on the right, depicting an Amazon warrior!

Amazonomachy on a vase ca. 420 BCE— check out the similar patterns as above!.

Amazons battling the Athenians, Theseus in the center. It may be Hippolyte or Antiope on the horse. Terracotta red-figure volute-krater, ca 450 BCE, The Metropolitan Museum of Art, NY

Amazonomachy frieze on the mausoleum at Halicarnassus.

Heracles battling the Amazons, Hippolyte wearing Ares’ war belt in the center — Attic black-figure neck amphora, ca. 510-500 BCE.

Another vase depicting Heracles battling the Amazons and killing Hippolyte.

And here’s a different version of the myth depicted on a vase— this time Hippolyte freely offering Heracles the war belt. Red-figure bell krater, Campania, Italy, ca. 4th-5th century BCE. Whitworth Art Gallery, University of Manchester.

Achilles killing Penthesilea on an amphora

Look at the contrast between the vases depicting Amazons and this one, showing the more demure, domestic life of Greek women.

Enough with the myths, show me the real deal! A Closer Look at Scythian Warrior Women:

The areas we’re dealing with when talking about Amazons generally consists of the lands surrounding the Black Sea, where various nomadic tribes lived— including the Thracians, Scythians, and Sarmatians:

Artist D V Pozdnjakov’s impression of a Scythian woman warrior on horseback.

Drawings of Scythian tattoos, illustrated by Elena Schumakova, from the Institute of Archaeology and Ethography, Russian Academy of Sciences.

Tattoos of the 13 year old “Ice Princess” Ukok mummy, discovered by Natalya Polosmak on the Ukok Plateau in Siberia.

A 2500 year-old Iranic Scythian woman mummy, showing the stag tattoo on her arm.

Some Scythian tattoo designs seen on a mummy found in 2017 - State Hermitage Museum, St. Petersburg, Russia.

Scythian woman wearing a ceremonial headdress. Institute of Russian Archaeology, Academy of Sciences

Golden Scythian warrior from the Issyk kurgan. Image credit: Derzsi Elekes Andor

Preserved Scythian women’s boots, leather, cloth, tin and gold, excavated from the Pazyryk kurgan area, ca. 300-290 BCE.

Two Scythian warrior women’s graves excavated at a cemetery called Devitsa V in Siberia, which contains 19 burial mounds. Look at the bowed position of the bottom graves’ legs, as if she were riding a horse! Institute of Archaeology RAS.

Mythical Amazon queen Penthesilea being presented with a love-gift of a rabbit by Thracian huntress Theraichme, one of the few pieces of visual evidence we have of possible wlw relationships between Amazons. white-ground alabastron, Pasaides Painter, ca. 525-500 BCE

Small metal plaques depicting Scythians drinking, most likely fermented mares’ milk — State Hermitage Museum, St. Petersburg, Russia, 2017.

Amazon terracotta figures, ca. 300-280 BCE. South Italian Canosan

Detail from a Karagodeuashkh kurgan headdress, showing the Scythian goddess Tabiti surrounded by priestesses and androgynous enarei shamans (shown on the right).

Cannabis burning equipment found in a Scythian grave.

Some gold vessels found in another grave — the Scythians really knew how to make fancy blinged-out bongs!

Check out author of The Amazons: Lives & Legends of Warrior Women Across the Ancient World, Adrienne Mayor, presenting a TED Talk!


And another talk by Adrienne Mayor, for the University of Pennsylvania Museum of Archaeology and Anthropology!


If you want to learn more about Amazons and Scythian warriors, check out our full list of sources and further reading below!

Books and Print Articles:

  • The Amazons: Lives & Legends of Warrior Women Across the Ancient World by Adrienne Mayor

  • “Amazons: Warrior Women of the Ancient World”, National Geographic History, January 2020 issue

  • The Library of Greek Mythology by Apollodorus, translated by Robin Hard

Online Articles/Resources:

Until next time, stay queer and stay curious!

38. Trans-sister Radio: Synth Icon Wendy Carlos

For the first time on the pod we’re covering someone who is still among us: Synth pioneer Wendy Carlos. This computer nerd and classical music enthusiast helped create electronic music the way we know it today. Her friend Robert Moog might be the one whose name is attached to the different kinds of synthesizers, but according to Moog himself Wendy Carlos deserves all the credit. From The Beatles to Donna Summer, from The Shining to Daft Punk— none of them would have sounded the way we know them now. Even classical artists like Bach and Beethoven were completely redefined because of Carlos’ work. Get ready for a deep dive into the achievements of this transistor trans sister!


But first, let me introduce to you our guest host for this episode, Hannah van Rhee!

hannah photo.jpg

Music plays a huge role in queer life. With so many memories, anecdotes and other stories that have songs attached to them, it would be a shame if no one would ever share them. Through the QueerSounds podcast, Hannah van Rhee (they/them) hopes to give queer folks a break from all kinds of activism by creating a space where they can just talk about their favourite songs and have a laugh. From obscure Indonesian movie soundtracks to the biggest pop divas in the world, Hannah and their guests cover it all.

They're born a Pisces and raised in the Netherlands. They're close to getting a bachelor’s degree in journalism with a minor in music marketing and management. Hannah is a stereotypical vegan, yoga-practicing, thrift-shopping brand of queer with some of their favourite types of music being Punk and Disco.

Locate Hannah and QueerSounds upon the internet:

A Closer Look at Wendy Carlos

Robert Moog with his Moog Synthesizer in 1970. Jack Robinson/Getty Images

Robert Moog with his Moog Synthesizer in 1970. Jack Robinson/Getty Images

Wendy in 1972.

Wendy in 1972.

Wendy in 1979 at her Moog synthesizer.

Wendy in 1979 at her Moog synthesizer.

Another 1979 photo. Image from Len Delessio/Corbis/Getty Images

Another 1979 photo. Image from Len Delessio/Corbis/Getty Images

Wendy in her studio in 1992, flanked by her three Siamese cats.

Wendy in her studio in 1992, flanked by her three Siamese cats.

Wendy in her studio in the early 1990s

Wendy in her studio in the early 1990s

Blueprints for Wendy’s studio in her NYC apartment, lovingly nicknamed “The Spaceship” by her and friends.

Blueprints for Wendy’s studio in her NYC apartment, lovingly nicknamed “The Spaceship” by her and friends.

Listen to some of Wendy Carlos’ music!

First up, check out the transition from Beethoven’s original composition “Ode an die Freude/Ode to Joy”:

And below, Wendy’s synthesizer version arranged for Stanley Kubrick’s A Clockwork Orange in 1971:

And another clip from A Clockwork Orange, this time Beethoven’s Ninth.

Below, the opening sequence to Wendy’s return to Kubrick with The Shining, one of the two tracks produced by Carlos and Elkind that ended up in the final film:

And music from Tron:

Some video interviews featuring Wendy

Before Wendy had come out publicly, here she is demonstrating her Moog in 1970, with the pasted-on sideburns and wig, dressing in drag for this BBC feature.

And here’s another from BBC, this time in 1989

Here’s one with her and Robert Moog!

We’re not usually fans of Amazon around here, but considering you can’t get Wendy’s music anywhere online other than the few bits we linked to above, they will be the best resource for purchasing her albums! You can check them all out here.

If you want to learn more about Wendy Carlos, check out our full list of sources and further reading below!

Books and Print Articles:

Online Articles/Resources:

Until next time, stay queer and stay curious!

36 & 37. The Life of Pauli Murray

For this two-part episode, Leigh is joined by return guest host, Aubree Calvin to do a deep dive into the story of Pauli Murray, an important African American lawyer, and activist who is finally getting the historical attention they deserve. In their time, Murray was a labor rights, civil rights, and women’s rights activist, and broke significant barriers all while facing sexism and racism. In addition to having a brilliant legal mind, they were a writer, poet, and priest, and had time to be friends with Eleanor Roosevelt. Pauli Murray should be in every U.S. History book in every K-12 school.

So, if Pauli Murray was so important to so many movements, why has history largely forgotten them? Leigh and Aubree try to answer that across two episodes — the first, looking at their upbringing, many careers, and accomplishments, then in part two, discussing their multfaceted queerness and try to get a handle, as best we can, on their gender identity.

Aubree, or Bree to her friends and enemies alike, is a black, queer trans woman on the edge of turning 40. A southerner for most of her life, Aubree has family roots across the south. She loves studying politics, history, and learning about all aspects of queer culture. Aubree started her podcast, Southern Queeries, because she’s tired of society ignoring the south's diverse communities. Professionally, Aubree is a community college government professor and part time writer. When not talking, teaching, or writing, Aubree’s spending her free time with her wonderful wife and daughter.

We also got the opportunity to speak with amazing activist, lawyer, and reproductive justice advocate Preston Mitchum, previously Policy Director at URGE (Unite for Reproductive and Gender Equity) and current Director of Advocacy and Government Affairs at The Trevor Project, on his own personal history coming to Pauli Murray’s story, how they influenced him as a Black queer man, and continues to inspire and influence current and future generations of queer civil rights attorneys all across the country.

Preston Mitchum is a Black and queer civil rights advocate, writer and public speaker who uses critical thinking and intersectionality in his writing and analyses. In his role as Policy Director at URGE: Unite for Reproductive & Gender Equity, he shaped state and federal strategies and policies that center the voices and leadership of young people in the South and Midwest. Prior to joining URGE, Preston served as senior legal and international policy analyst with Advocates for Youth. Preston is also an Adjunct Professor of Law at Georgetown University Law Center teaching LGBTQ Health Law and Policy, is the co-chair of the board of directors for the Collective Action for Safe Spaces and was also the first openly LGBTQ chair of the Washington Bar Association Young Lawyers Division.

Preston Mitchum.jpg

Preston can be found online at:

A Closer Look at Pauli Murray

PauliMurray1.jpg
Pauli presenting their family biography, Proud Shoes, presents the first edition of their book to Lloyd K. Garrison, former president of the National Urban League.

Pauli presenting their family biography, Proud Shoes, presents the first edition of their book to Lloyd K. Garrison, former president of the National Urban League.

Pauli in Ghana, where they taught law briefly in the 1960s.

Pauli in Ghana, where they taught law briefly in the 1960s.

Pauli after earning their JSD from Yale in 1965.

Pauli after earning their JSD from Yale in 1965.

Pauli with Betty Friedan and others who would be influential in founding NOW

Pauli with Betty Friedan and others who would be influential in founding NOW

A Little Glimpse into Pauli’s Gender Journey

Why do I prefer experimentation on the male side, instead of attempted adjustment as a normal woman?”

Pauli’s various “identities” they tried out and modeled in a 1930s photo album they titled “The Life and Times of an American Called Pauli Murray”:

Pauli in New Hampshire, Nov 1955. They sent this photo to Eleanor Roosevelt, describing it as “It’s my most natural self, I think”. Source: Franklin D. Roosevelt Presidential Library

Pauli in New Hampshire, Nov 1955. They sent this photo to Eleanor Roosevelt, describing it as “It’s my most natural self, I think”. Source: Franklin D. Roosevelt Presidential Library

Some of Pauli’s Loves

Pauli’s longtime partner Irene “Renee” Barlow

Pauli’s longtime partner Irene “Renee” Barlow

Pauli with their girlfriend Peggy Holmes, who they met at the New Deal Women’s Camp. LOOK HOW CUTE THIS IS!

Pauli with their girlfriend Peggy Holmes, who they met at the New Deal Women’s Camp. LOOK HOW CUTE THIS IS!

Pauli with their dog, Doc, at Benedict College, SC in 1967.

Pauli with their dog, Doc, at Benedict College, SC in 1967.

Pauli with another of their dogs, Roy, in 1976

Pauli with another of their dogs, Roy, in 1976

Pauli with their BFF for life, Eleanor Roosevelt, in 1962 on a trip to Val-Kill Cottage, Hyde Park.

Pauli with their BFF for life, Eleanor Roosevelt, in 1962 on a trip to Val-Kill Cottage, Hyde Park.

ap53381216812_wide-5277eb2385a0de1747967498cb22a86a9d08ee8b.jpg

Pauli, The Reverend and Poet

Pauli in their Virginia apartment, 1977, after becoming a reverend.

Pauli in their Virginia apartment, 1977, after becoming a reverend.

download.jfif
Pauli’s portrait at Yale Law, unveiled in November 2018.

Pauli’s portrait at Yale Law, unveiled in November 2018.

Listen to Pauli read the entirety of Dark Testament:

Pauli reading from their epic poem, “Dark Testament”

Pauli reading from their epic poem, “Dark Testament”

“Rediscovering Pauli Murray”, a panel discussion from 2017 at the Radcliffe Institute at Harvard, featuring panelists Patricia Bell-Scott, Brittney Cooper, Rosalind Rosenberg, and Kenneth W. Mack.

If you liked hearing our episode on Pauli, you might also you might also enjoy these Pop-Culture Tie-Ins:

If you want to learn more about Pauli Murray, the 14th Amendment, and more, check out our full list of sources and further reading below!

Online Articles & Resources:

Books and Print Articles:

  • Proud Shoes: The Story of an American Family by Pauli Murray

  • Song in a Weary Throat: Memoir of an American Pilgrimage by Pauli Murray

  • Jane Crow: The Life of Pauli Murray by Rosalind Rosenberg

  • Dark Testament: and Other Poems by Pauli Murray

  • The Firebrand and the First Lady: Portrait of a Friendship by Patricia Bell-Scott

  • “Poetry, Ethics, and the Legacy of Pauli Murray” by Christiana Z. Peppard in Journal of the Society of Christian Ethics, Vol. 30, No. 1 (Spring/Summer 2010).

  • “Boy-girl, Imp, Priest: Pauli Murray and the Limits of Identity” by Doreen M. Drury in Journal of Feminist Studies in Religion, Vol. 29, No. 1 (Spring 2013).

Films/Audio:

Until next time, stay queer and stay curious!

35. Claim to Flame: Edmonia "Wildfire" Lewis and her Harem Scarem

In this episode of History is Gay Leigh and guest host Amanda Helton discuss Mary Edmonia “Wildfire” Lewis, the first internationally recognized African American and indigenous artist in the United States. Join us while we ponder how exactly a literal 2-ton sculpture goes missing, discuss the merits of 1800s lesbian ndrama, and did you know that blister beetles have been used as aphrodisiacs for centuries? Yeah... neither did we….

Our wonderful returning guest host for this episode is our fantastic friend and Amanda Helton!

amanda+headshot.png

You can find more from Amanda on Instagram at @oryxbesia and at www.amandahelton.com!

Amanda Helton is a museum professional working in Silicon Valley, focusing on digital strategy and museum technology. She is originally from Sevier County, Tennessee (birthplace of Dolly Parton), and HAS MET HER a few times! Amanda holds a Masters Degree in Art History (with a concentration in Museum Training) from the George Washington University in Washington, DC. She is passionate about connecting the history of art and technology to the present day. Amanda is a sunscreen evangelist, friend to every dog, and co-runs a Xena re-watch group with Leigh!

You can also hear Amanda in our episode on Michelangelo!

A Closer Look at Edmonia Lewis and the White Marmorean Flock

Portraits of Edmonia

Perhaps the most well-known Edmonia portrait, by Henry Rocher, c 1870

Perhaps the most well-known Edmonia portrait, by Henry Rocher, c 1870

Edmonia Portrait 3.jpg
Edmonia Portrait 2.jpg
Edmonia Portrait 1.jpg
Edmonia Portrait 4.jpg

Some of Edmonia Lewis’ most prolific works:

Edmonia Lewis, The Death of Cleopatra, carved 1876, marble, Smithsonian American Art Museum, Gift of the Historical Society of Forest Park, Illinois, 1994.17

Edmonia Lewis, The Death of Cleopatra, carved 1876, marble, Smithsonian American Art Museum, Gift of the Historical Society of Forest Park, Illinois, 1994.17

The Death of Cleopatra detail. Notice the somewhat anguished look on the subject’s face, and the tension in the body at the moment of death depicted.

The Death of Cleopatra detail. Notice the somewhat anguished look on the subject’s face, and the tension in the body at the moment of death depicted.

edmonialewisforeverfree.jpg

"Forever Free," Edmonia Lewis, marble, 1867. The Howard University Gallery of Art, Washington, D.C.

Bust of Col. Robert Gould Shaw, leader of the all-Black 54th Massachusetts Volunteer Infantry Regiment during the American Civil War. Edmonia sold 100 plaster copies of this bust during a Soldier’s Relief Fair in Boston, which financed her move to I…

Bust of Col. Robert Gould Shaw, leader of the all-Black 54th Massachusetts Volunteer Infantry Regiment during the American Civil War. Edmonia sold 100 plaster copies of this bust during a Soldier’s Relief Fair in Boston, which financed her move to Italy.

In 1870, Dr. Harriot K. Hunt, Boston’s first woman physician, commissioned Edmonia to create a statue of Hygeia, the Greek goddess of health and hygiene, to be erected on her family lot in Mount Auburn Cemetery.

In 1870, Dr. Harriot K. Hunt, Boston’s first woman physician, commissioned Edmonia to create a statue of Hygeia, the Greek goddess of health and hygiene, to be erected on her family lot in Mount Auburn Cemetery.

anna quincy waterson 1866.jpg

She carved the above sculpture for her patron, Anna Quincy Waterston, in 1866, who was one of the first patrons to help raise funds for Edmonia to sculpt in Rome. Waterston wrote a poem after Edmonia in 1864, describing her skill:

Tis fitting that a daughter of the race
Whose chains are breaking should receive a gift
So rare as genius. Neither power nor place,
Fashion or wealth, pride, custom, caste nor hue
Can arrogantly claim what God doth lift
Above these chances, and bestows on few.

Edmonia Lewis, Old Arrow Maker, modeled 1866, carved 1872, marble, Smithsonian American Art Museum, Gift of Mr. and Mrs. Norman Robbins, 1983.95.179

Edmonia Lewis, Old Arrow Maker, modeled 1866, carved 1872, marble, Smithsonian American Art Museum, Gift of Mr. and Mrs. Norman Robbins, 1983.95.179

hiawatha.jpg
minnehaha.jpg

Henry Wadsworth Longfellow’s The Song of Hiawatha was extremely popular during this time, and so here you can see Lewis’ depiction of the two main characters, Hiawatha and Minnehaha.

Later in life, once slavery was abolished in the United States, Edmonia turned much of her sculpture to religious subjects, appealing to Roman Catholic patrons in Italy. Guess who made a horny Moses after Michelangelo’s iconic sculpture. SO. GAY.

Later in life, once slavery was abolished in the United States, Edmonia turned much of her sculpture to religious subjects, appealing to Roman Catholic patrons in Italy. Guess who made a horny Moses after Michelangelo’s iconic sculpture. SO. GAY.

Legacy

For many years after her death, Edmonia Lewis’ life and work sunk into relative obscurity, but in recent years, since the 1980s, she has been brought back into the limelight, due to research from some dedicated scholars such as Marilyn Richardson, who had found Lewis’ unmarked gravesite:

unmarked grave.jpg

And below, is what the gravesite looks like now, cleaned up and bestowed with a proper plaque, thanks to a 2017 GoFundMe campaign.

grave with marker.jpg
In February 2017 for Black History Month, Google even included her as a Google Doodle on the first day of the month!

In February 2017 for Black History Month, Google even included her as a Google Doodle on the first day of the month!

The White Marmorean Flock, with whom Edmonia Flew!

First up, Charlotte Cushman, aka the Natalie Clifford Barney of 1800s Rome:

Charlotte Cushman, portrait by William Page 1853

Charlotte Cushman, portrait by William Page 1853

Charlotte Cushman as Romeo, one of her most popular “breeches” roles— reviewers said she was more adept at playing a man onstage than she was playing a woman in real life.

Charlotte Cushman as Romeo, one of her most popular “breeches” roles— reviewers said she was more adept at playing a man onstage than she was playing a woman in real life.

Charlotte Cushman and flame, Matilda Hays, who would go on to have an affair with Harriet Hosmer!

Charlotte Cushman and flame, Matilda Hays, who would go on to have an affair with Harriet Hosmer!

And here we have Charlotte with yet another flame, another sculptor of the flock, Emma Stebbins (who she uh….cheated on Matilda Hays with so…whoops).

And here we have Charlotte with yet another flame, another sculptor of the flock, Emma Stebbins (who she uh….cheated on Matilda Hays with so…whoops).

Harriet Goodhue Hosmer, butch queen of our hearts:

harriet hosmer.jpg
Look at this dapper motherfucker! Engraving of Harriet Hosmer by Augustus Robin (1873)

Look at this dapper motherfucker! Engraving of Harriet Hosmer by Augustus Robin (1873)

This is a Look we are here for.

This is a Look we are here for.


If you want to learn more about Edmonia Lewis and the other folks covered in this episode, check out our full list of sources and further reading below!

Online Articles & Resources:

Books and Print Articles:

  • Buick, Kirsten. Child of the Fire: Mary Edmonia Lewis and the Problem of Art History’s Black and Indian Subject

  • Nelson, Charmaine A. The Color of Stone: Sculpting the Black Female Subject in Nineteenth-Century America. University of Minnesota Press, 2007.

  • "Black Lesbian Bibliography." Off Our Backs 9, no. 6 (1979): 25.

  • GOLD, SUSANNA W. "THE DEATH OF CLEOPATRA /THE BIRTH OF FREEDOM: EDMONIA LEWIS AT THE NEW WORLD'S FAIR." Biography 35, no. 2 (2012): 318-41.

  • A History of African American Artists: From 1792 to the Present

  • Bost, Suzanne. "Fluidity without Postmodernism: Michelle Cliff and the "Tragic Mulatta" Tradition." African American Review 32, no. 4 (1998): 673-89.

  • Buick, Kirsten P. "The Ideal Works of Edmonia Lewis: Invoking and Inverting Autobiography." American Art 9, no. 2 (1995): 5-19.

  • Blodgett, Geoffrey. "John Mercer Langston and the Case of Edmonia Lewis: Oberlin, 1862." The Journal of Negro History 53, no. 3 (1968): 201-18. Accessed December 15, 2020.

  • Darcy, Cornelius P. "Edmonia Lewis Arrives in Rome." Negro History Bulletin 40, no. 2 (1977): 688-89. Accessed December 15, 2020. http://www.jstor.org/stable/44176717.

  • Holland, Juanita Marie. "Mary Edmonia Lewis's "Minnehaha": Gender, Race, and the "Indian Maid"." Bulletin of the Detroit Institute of Arts 69, no. 1/2 (1995): 26-35. Accessed December 15, 2020. http://www.jstor.org/stable/41504904.

  • "Lost and Found: The Strange Case of the Resurrection of Edmonia Lewis' "The Death of Cleopatra"." The Journal of Blacks in Higher Education, no. 13 (1996): 32-33. Accessed December 15, 2020. doi:10.2307/2963152.

  • Buick, Kirsten Pai. "A QUESTION OF "LIKENESS": EDMONIA LEWIS'S "THE DEATH OF CLEOPATRA"." Source: Notes in the History of Art 24, no. 4 (2005): 3-12. Accessed December 15, 2020. http://www.jstor.org/stable/23207945.

  • Woods, Naurice Frank. "An African Queen at the Philadelphia Centennial Exposition 1876: Edmonia Lewis's "The Death of Cleopatra"." Meridians 9, no. 1 (2009): 62-82. Accessed December 15, 2020. http://www.jstor.org/stable/40338768.

  • Harrison, Bonnie Claudia. "Diasporadas: Black Women and the Fine Art of Activism." Meridians 2, no. 2 (2002): 163-84. Accessed December 15, 2020. http://www.jstor.org/stable/40338514.

  • Tolles, Thayer. "American Women Sculptors". In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/scul/hd_scul.htm (August 2010)

  • Conner, Janis, and Joel Rosenkranz. Rediscoveries in American Sculpture: Studio Works, 1893–1939. Austin: University of Texas Press, 1989.

  • Hill, May Brawley. The Woman Sculptor: Malvina Hoffman and Her Contemporaries. Exhibition catalogue. New York: Berry-Hill Galleries, 1984.

  • Rubinstein, Charlotte Streifer. American Women Sculptors: A History of Women Working in Three Dimensions. Boston: G. K. Hall, 1990.

  • Tolles, Thayer, ed. American Sculpture in The Metropolitan Museum of Art. 2 vols. New York: Metropolitan Museum of Art, 1999–2001.

  • Thorp, Margaret Farrand. “The White, Marmorean Flock.” The New England Quarterly.

    Vol. 32, No. 2 (Jun., 1959), pp. 147-169

  • Romare Bearden & Henderson, Harry. "A History of African-American Artists (From 1792 to the Present)", Pantheon Books (Random House), 1993. ISBN 0-394-57016-2, 704.0396 B368h 1993

Until next time, stay queer and stay curious!

34. Queers in the Civil Rights Movement

For today’s episode, Leigh is joined by return guest host, Aubree Calvin, to commemorate Black History Month by telling the stories of some folks who made contributions to the Civil Rights Movement in the 1960s whose queerness has been overlooked or erased, and the ways in which the tremendous work done by Black activists was absolutely essential to the evolution of LGBTQ rights actions. Listen to hear about Freedom Rides organizer Rodney Powell’s epic takedown of Rev. Rick Warren, Ernestine Eckstein’s directions for the homophile movement, and Lorraine Hansberry’s thoughts on Eartha Kitt’s legs.

Our wonderful returning guest host for this episode is our fantastic friend and co-host of Southern Queeries Podcast, Aubree Calvin!

Aubree, or Bree to her friends and enemies alike, is a black, queer trans woman on the edge of turning 40. A southerner for most of her life, Aubree has family roots across the south. She loves studying politics, history, and learning about all aspects of queer culture. Aubree started her podcast, Southern Queeries, because she’s tired of society ignoring the south's diverse communities. Professionally, Aubree is a community college government professor and part time writer. When not talking, teaching, or writing, Aubree’s spending her free time with her wonderful wife and daughter.

You can also hear Aubree in our episode on Sister Rosetta Tharpe!

A Closer Look at Queer Folks in the Civil Rights Movement…

Rodney Powell

Rodney Powell’s school photo at St. Joseph’s University

Rodney Powell’s school photo at St. Joseph’s University

Rodney Powell with his husband, Bob Eddinger, in hawaii

Rodney Powell with his husband, Bob Eddinger, in hawaii

Rodney (standing) at the lunch counter of a Nashville Walgreens in March 1960.

Rodney (standing) at the lunch counter of a Nashville Walgreens in March 1960.

Ernestine Eckstein

Ernestine Eckstein on the cover of the June 1966 edition of The Ladder. Credit: Photo by Kay Lahusen,  Manuscripts and Archives Division, The New York Public Library.

Ernestine Eckstein on the cover of the June 1966 edition of The Ladder. Credit: Photo by Kay Lahusen, Manuscripts and Archives Division, The New York Public Library.

Ernestine Eckstein in the White House picket line, October 23, 1965. Her sign reads: “Denial of Equality of Opportunity is Immoral.” Photo by Kay Lahusen, Manuscripts and Archives Division, The New York Public Library.

Ernestine Eckstein in the White House picket line, October 23, 1965. Her sign reads: “Denial of Equality of Opportunity is Immoral.” Photo by Kay Lahusen, Manuscripts and Archives Division, The New York Public Library.

Ernestine’s class photo at Indiana University, showing her given name.

Ernestine’s class photo at Indiana University, showing her given name.

Ernestine with the Indiana Daily Student newspaper staff at Indiana University

Ernestine with the Indiana Daily Student newspaper staff at Indiana University

Aaron Henry

Aaron Henry at the 1964 Democratic National Convention, reading from a document while seated before the Credentials Committee.

Aaron Henry at the 1964 Democratic National Convention, reading from a document while seated before the Credentials Committee.

Brochure from Henry’s 1971 campaign for the Mississippi State Legislature.

Brochure from Henry’s 1971 campaign for the Mississippi State Legislature.

Aaron Henry, circa 1980s. Photo from the Erle E. Johnston Jr. Papers, McCain Library and Archives, The University of Southern Mississippi.

Aaron Henry, circa 1980s. Photo from the Erle E. Johnston Jr. Papers, McCain Library and Archives, The University of Southern Mississippi.


Lorraine Hansberry

Lorraine Hansberry  at her typewriter

Lorraine Hansberry at her typewriter

lorraine-hansberry-9327823-1-402.jpg
Lorraine’s list from age 28 of things in her “Notes on Myself” entries. Check out Dorothy Secules’ name under the “I want”. Image courtesy of the Schomburg Center for Research in Black Culture, the New York Public Library

Lorraine’s list from age 28 of things in her “Notes on Myself” entries. Check out Dorothy Secules’ name under the “I want”. Image courtesy of the Schomburg Center for Research in Black Culture, the New York Public Library

Lorraine Hansberry with Nina Simone

Lorraine Hansberry with Nina Simone

Below, a video of Nina Simone performing “To Be Young, Gifted and Black”, which was inspired by and written about Lorraine Hansberry.

If you want to learn more about the folks we covered in this episode, check out our full list of sources and further reading below!

Online Articles & Resources:

Books and Print Articles:

  • Looking for Lorraine: The Radiant and Radical Life of Lorraine Hansberry by Dr. Imani Perry

  • Aaron Henry: The Fire Ever Burning by Aaron Henry, Constance Curry

  • Gavins, R. (2016). March on Washington Movement (MOWM). In The Cambridge Guide to African American History (p. 178). Cambridge: Cambridge University Press.

  • Corrigan, L. (2019). Queering the Panthers: Rhetorical Adjacency and Black/Queer Liberation Politics. In QED: A Journal in GLBTQ Worldmaking . Vol. 6, Number 2, Summer 2009.

  • The Ladder: A Lesbian Review, June 1966 issue

Films/Videos:

Until next time, stay queer and stay curious!